I recycled old drawings and created collages out of them.
(mixed technique, 2022)
(Digital drawing, 2022)
How to Sync? visualizes the connection with ourselves, with each other and with our environment. In total three black and white ink drawings are enhanced by short animations. This is a capture of the augmentation on the drawings, which can otherwise only be seen through the viewers smartphone.
(Digital Drawing with augmentation via artivive, 2022)
(Digital Drawing, 2021)
As an exercise in animation I designed rotation and walk cycles for various characters.
(Digital drawing, 2021)
In a wonderful collaboration with Dr. Julia Schneider we created the comic essay We Need to Talk, AI. In 56 pages, the basics, examples, opportunities and risks as well as an outlook and some thoughts on social utopias are illuminated. The project should offer the opportunity to get involved in the topic and to participate in the debates in order to shape the development of this groundbreaking technology. We are looking forward to your feedback and are eager to see what comes next…
In 30 years, will robots do all the unpleasant work for us? Or will they subjugate us to become submissive slaves? The debates on how Artificial Intelligence (AI) will change our lives move between these extremes. There is no doubt that the change will be dramatic. Maybe now is just the right time to start interfering.
This pioneering comic on AI invites you on an 56-page long, illustrated journey through the dimensions and implications of the groundbreaking technology. Discussing important chances and risks associated with AI, this work is a creative stimulus for insiders of the subject as well as an invitation for newbies to get informed and join the debate.
(A4, digital drawing in black/white, 56-pages, Berlin 2019)
Max Sauermoser and me made drawings while listening to an audioclip composed by MetroZones. Now there is a audiovisual collection of thoughts about the emancipatory potential of urban citizenship and the concept of sanctuary city concepts. Enjoy.
In occasion of a Heartfield-Grosz exhibition Rosa Luxemburg foundation commisioned the design of a printed booklet. Seven handmade collages illustrate the text by Max Upravitelev
(A4 booklet, 26 pages with 7 collages, 4/4 Offset print, Berlin 2016)
In the framework of a project named “(De-)koloniale Bildwelten” by glokal I contributed three posters as a perspective on globale injustice in the context of development cooperation. Together with the contributions of Rajkamal Kahlon and Isaiah Lopaz, the works were shown on public billboards in berlin during Christmas time to oppose against an imagery of discriminating and racist donation advertisement.
(3 A2 posters, 4/4 Offset print, Berlin 2016)
(Billboard with 3 images, screened on Moritzplatz/Oranienstr., Berlin, dec. 27th – jan. 9th 2016)
Icons for HORTIS europe used as patterns for stencils, that mark the skills and abilities of various urban gardening projects based in Italy, Spain, Germany and Hungary to transfer knowledge and thereby contribute to inclusion and socialization. Commissioned by workstation Ideenwerkstatt Berlin
(5 digital drawings, Berlin 2014)
A book that gives inspiration for sustainability in everyday life.
(Paperback, 192 pages, colored, Berlin 2013, ISBN 978-3-00-045409-7)
Self-made as a new way of life is the policy of acting. fair-handeln! introduces recipes, instructions and a collection of exemplary projects, that practice models like borrowing instead of owning, self-made instead of buying, repairing, up-cycling instead of throwing away or shared economies. To share useful knowledge for acting (without consuming) is a focus, a collection of places, possibilities and tips for sustainability.
Published by Jana Prüss (MORGENGRÜN Communication) and und.Institut für Kunst, Kultur und Zukunftsfähigkeit.
Design and Illustration in cooperation with Tobias Morawski, based on a graphic concept of anschlaege.de
Poster/ folded flyer for 8th march assembly Berlin, commissioned by Interventionistische Linke (digital collage, Berlin, 2012)
Illustrations on a short story of Samad Behrangi (etching, studio Saeed Ensafi, Teheran, 2011)